Alto Sax Reigns Supreme At Belgrade Jazz Fest
- Friday, November 20, 2015
The theme at this year’s Belgrade Jazz Festival was ‘The Future Of Jazz’.
The theme at this year’s Belgrade Jazz Festival was ‘The Future Of Jazz’.
There’s a crush of boho twentysomethings up against Brighton’s Concorde stage, working themselves up into a state of such anticipation that the appearance of a sober-looking tour manager bearing towels and water is greeted with a ragged cheer.
It was the early 1990s when this writer first discovered drummer Steve Smith.
If walls could talk then the 100 Club, squeezed between Oxford street’s identikit chain stores, would tell a story worth putting on film.
Given the limitless ocean of music in which the world is currently swimming, or rather drowning, it makes sense for any artist who doesn't want to sink into anonymity to keep afloat with regular new product.
Festival directors often have to unhitch hitches right in the middle of their event.
While Elephant9’s recent studio sets might’ve inaugurated amassing embroideries of moods and motions, last night the troupe opted to snub the subtleties for keen fusion assaults.
When taking an evening to see a true legend of the 1960s and 70s, it can be quite a buzz-kill to enter the hyper-modernised complex of The O2, even on an atmospheric fog-ridden November evening.
It had been forty years since the legendary Jim Mullen last provided his unique stylings on the guitar for Brian Auger’s Oblivion Express.
Sheryl Bailey, one of New York’s foremost guitarists and now a frequent visitor on the UK’s jazz circuit, finished her most recent tour here in London last Saturday at the Bull’s Head, Barnes.